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			1079 lines
		
	
	
		
			39 KiB
		
	
	
	
		
			XML
		
	
	
	
	
	
| <chapter xmlns="http://docbook.org/ns/docbook" xml:id="chapter.rdlibrary">
 | ||
|   <title>Content Management with RDLibrary</title>
 | ||
|   <sect1 xml:id="sect.rdlibrary.the_rivendell_library_structure_and_rdlibrary">
 | ||
|     <title>The Rivendell Library Structure and RDLibrary</title>
 | ||
|     <sect2 xml:id="sect2_rdlibrary_carts">
 | ||
|       <title>Carts</title>
 | ||
|       <para>
 | ||
| 	The Rivendell Library consists of a set of objects called
 | ||
| 	<emphasis>carts</emphasis>.
 | ||
| 	A cart is a data container that holds either one or more pieces
 | ||
| 	of audio (called an <emphasis>audio cart</emphasis>), or macro
 | ||
| 	commands to the system
 | ||
| 	(called a <emphasis>macro cart</emphasis>). The cart is the
 | ||
| 	fundamental schedule
 | ||
| 	building block in Rivendell, in that it is the smallest object or
 | ||
| 	'atom' that the outside world (like a traffic or music scheduler)
 | ||
| 	can see.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	RDLibrary, upon startup, will show the current list of all carts
 | ||
| 	on the system (see below).
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.rdlibrary_screenshot.png" scale="43"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>RDLibrary Main Window</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	A number of important attributes of carts can be seen from this
 | ||
| 	illustration.  First is the cart's number.  Each cart in the Library
 | ||
| 	gets assigned a unique number when it is created.  This number can
 | ||
| 	range between 000001 and 999999, and is the primary 'handle' by which
 | ||
| 	both Rivendell and external systems (like traffic or music schedulers)
 | ||
| 	refer to the cart.  Very often, sites have specific rules concerning
 | ||
| 	which types of audio (commercials, promos, music, etc) and macros get
 | ||
| 	assigned which numbers.  We'll cover this area in some detail when
 | ||
| 	we discuss groups.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Immediately to the left of the cart number is an icon indicating
 | ||
| 	the type of cart. Just to the right of the cart number is the
 | ||
| 	average length of the cart.  Except in the case of where
 | ||
| 	timescaling is in use (in which case it will be indicated in
 | ||
| 	blue numerals), this value is calculated automatically by the system.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Next comes various columns showing information from the cart
 | ||
| 	label – Title, Artist, Client and Agency data, etc.  This
 | ||
| 	information can be edited by opening RDLibrary's Edit Cart dialog,
 | ||
| 	either by double-clicking on the desired cart
 | ||
| 	entry in the list, or by touching the desired cart entry and then
 | ||
| 	touching the Edit button.  In either case, you should get a dialog
 | ||
| 	similar to that shown in the illustration.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.edit_cart_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Edit Cart Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Near the center of the dialog will be a dropdown box labeled
 | ||
| 	<computeroutput>Schedule Cuts</computeroutput>. When set to
 | ||
| 	<computeroutput>By Weight</computeroutput> (the default), this will
 | ||
| 	allow cut rotation to be managed by means of daypart settings (see
 | ||
| 	<xref linkend="sect.rdlibrary.cut_dayparting"/>). When set to
 | ||
| 	<computeroutput>By Specified Order</computeroutput>, the precise
 | ||
| 	rotation of the cuts within the cart can be set manually.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	This is how an audio cart looks when loaded into the Edit Cart dialog.
 | ||
| 	The upper half of the dialog is the cart label data.  The meaning
 | ||
| 	of most of these fields should be fairly self-evident, but a few
 | ||
| 	call for special comment:
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<variablelist>
 | ||
| 	  <varlistentry>
 | ||
| 	    <term>Enforce Length</term>
 | ||
| 	    <listitem>
 | ||
| 	      <para>
 | ||
| 		When checked, this indicates that timescaling should be
 | ||
| 		applied to this cart when it is played in RDAirPlay,
 | ||
| 		meaning that the cart will air at the length indicated by
 | ||
| 		the Forced Length field, rather than the native length of
 | ||
| 		the audio.  Care is needed when implementing timescaling
 | ||
| 		within a facility, as there are limits to how much the
 | ||
| 		length can be altered, while only certain types of audio
 | ||
| 		adapters support it at all.  See the Rivendell Technical
 | ||
| 		Guide for more information.
 | ||
| 	      </para>
 | ||
| 	    </listitem>
 | ||
| 	  </varlistentry>
 | ||
| 	  <varlistentry>
 | ||
| 	    <term>Group</term>
 | ||
| 	    <listitem>
 | ||
| 	      <para>
 | ||
| 		This is a pull down menu by which the group ownership for
 | ||
| 		the cart can be set.  The system administrator configures
 | ||
| 		the list of available groups for each user in RDAdmin.
 | ||
| 	      </para>
 | ||
| 	    </listitem>
 | ||
| 	  </varlistentry>
 | ||
| 	  <varlistentry>
 | ||
| 	    <term>User Defined</term>
 | ||
| 	    <listitem>
 | ||
| 	      <para>
 | ||
| 		As the name implies, this field has no dedicated meaning
 | ||
| 		to Rivendell itself, but is provided for each site to use
 | ||
| 		as is seen fit.
 | ||
| 	      </para>
 | ||
| 	    </listitem>
 | ||
| 	  </varlistentry>
 | ||
| 	</variablelist>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	The example in the illustration above shows an audio cart. As such,
 | ||
| 	the bottom half of the dialog displays the lists of cuts contained
 | ||
| 	within the cart.  
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.cuts">
 | ||
|       <title>Cuts</title>
 | ||
|       <para>
 | ||
| 	Each audio cart can contain one or more <emphasis>cuts</emphasis>.
 | ||
| 	A Rivendell cut is
 | ||
| 	an actual piece of audio, somewhat analogous to a 'track' on a CD.
 | ||
| 	Up to 999 such cuts can exist within a single cart.  Each line in
 | ||
| 	the cut list contains information about the cut, including:
 | ||
|       </para>
 | ||
|       <variablelist>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>WT</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The <emphasis>weighting</emphasis> value for the cut. see
 | ||
| 	      <xref linkend="sect.rdlibrary.cut_dayparting"/> for discussion.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>ORDER</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The <emphasis>order</emphasis> value for the cut. see
 | ||
| 	      <xref linkend="sect.rdlibrary.cut_dayparting"/> for discussion.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>DESCRIPTION</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      n arbitrary name, assignable by the user as an aid in keeping
 | ||
| 	      track of the content, it is roughly analogous to the 'Title'
 | ||
| 	      field in the cart label.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>LENGTH</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The actual, measured play out length of the cut audio.
 | ||
| 	      This field is calculated automatically by the system.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>LAST PLAYED</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      he last date and time that the cut was aired by one of the
 | ||
| 	      on-air modules.  Useful for keeping track of stale inventory.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput># OF PLAYS</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The total number of times the cut has been aired by the
 | ||
| 	      one of the on-air modules.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>ORIGIN</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The name of the host upon which the audio in the cut was last
 | ||
| 	      recorded, along with the date and time.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>OUTCUE</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      A user settable field. This line shows up in the RDAirPlay
 | ||
| 	      log when the cut is played.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>START DATE</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The effective start date/time of the cut.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>END DATE</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The effective end date/time of the cut.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>START DAYPART</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The start time of the cut's daypart.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>END DAYPART</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The start time of the cut's daypart.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>NAME</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The internal CUTNAME of the cut as used in Rivendell's
 | ||
| 	      database.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
| 	<varlistentry>
 | ||
| 	  <term><computeroutput>SHA1</computeroutput></term>
 | ||
| 	  <listitem>
 | ||
| 	    <para>
 | ||
| 	      The SHA-1 hash value of the cut's file in Rivendell's audio
 | ||
| 	      store.
 | ||
| 	    </para>
 | ||
| 	  </listitem>
 | ||
| 	</varlistentry>
 | ||
|       </variablelist>
 | ||
|       <sect3 xml:id="sect.rdlibrary.multiple_cuts_in_a_cart">
 | ||
| 	<title>Multiple Cuts in a Cart</title>
 | ||
| 	<para>
 | ||
| 	  What happens when more than one cut is placed into a cart? The
 | ||
| 	  answer, in a word, is <emphasis>rotation</emphasis>. Rotation is
 | ||
| 	  the ability to
 | ||
| 	  schedule a single cart in a log, but to have that cart play out
 | ||
| 	  different material at different times. This capability has a
 | ||
| 	  myriad of uses.  One of the simplest, common in commercial radio
 | ||
| 	  facilities, is to allow multiple versions of a spot to be placed
 | ||
| 	  into the system, while still allowing the traffic department to
 | ||
| 	  have to track and schedule only one cart number. A more
 | ||
| 	  sophisticated use involves use of the cut's
 | ||
| 	  <emphasis>dayparting</emphasis> settings,
 | ||
| 	  forcing different cuts to play based upon certain date/time
 | ||
| 	  criteria, such as day of the week or time of day. Cut dayparting
 | ||
| 	  is a very powerful feature in Rivendell, and is something we
 | ||
| 	  will discuss shortly.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  To edit the properties of a cut, either double-click its entry
 | ||
| 	  in the cut list, or touch it once to highlight and then touch
 | ||
| 	  the <computeroutput>Cut Info/Record</computeroutput> button.
 | ||
| 	  The Record Dialog will now open up.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  <mediaobject>
 | ||
| 	    <imageobject>
 | ||
| 	      <imagedata align="center" fileref="rdlibrary.edit_cut_info_dialog.png" scale="50"/>
 | ||
| 	    </imageobject>
 | ||
| 	    <caption>
 | ||
| 	      <para>The Record Dialog</para>
 | ||
| 	    </caption>
 | ||
| 	  </mediaobject>
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  Roughly the upper third of the dialog is for editing the various
 | ||
| 	  cut parameters, the middle section is for  configuring the cut's
 | ||
| 	  daypart settings, and the bottom third is a record machine that
 | ||
| 	  can be used both to record new audio into the system and to
 | ||
| 	  audition any recording already made.
 | ||
| 	</para>
 | ||
|       </sect3>
 | ||
|       <sect3 xml:id="sect.rdlibrary.cut_dayparting">
 | ||
| 	<title>Cut Dayparting</title>
 | ||
| 	<para>
 | ||
| 	  For carts for which <computeroutput>Schedule Cuts</computeroutput>
 | ||
| 	  is set to <computeroutput>By Weight</computeroutput>, each cut in
 | ||
| 	  can be dayparted on the basis of these parameters:
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  <itemizedlist>
 | ||
| 	    <listitem>
 | ||
| 	      Weight
 | ||
| 	    </listitem>
 | ||
| 	    <listitem>
 | ||
| 	      Absolute Start and End Date-Time
 | ||
| 	    </listitem>
 | ||
| 	    <listitem>
 | ||
| 	      Relative Start and End Time
 | ||
| 	    </listitem>
 | ||
| 	    <listitem>
 | ||
| 	      Day of the Week
 | ||
| 	    </listitem>
 | ||
| 	  </itemizedlist>
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  While not strictly a dayparting parameter, the
 | ||
| 	  <computeroutput>WEIGHT</computeroutput> setting of a cut can
 | ||
| 	  strongly influence
 | ||
| 	  the order (and hence placement) of when a particular cut will play.
 | ||
| 	  The weight value of each cut in a cart consistutes the numerator
 | ||
| 	  of a fraction, the denominator of which is the sum of the weight
 | ||
| 	  values of every cut in the cart. Rivendell's cut selection
 | ||
| 	  algorithm will seek to play each cut in like proportion. If it is
 | ||
| 	  important in some cases to be able to specify the precise order
 | ||
| 	  of each cut play-out, consider changing the
 | ||
| 	  <computeroutput>Schedule Cuts</computeroutput> dropdown to
 | ||
| 	  <computeroutput>By Specified Order</computeroutput>.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  By default, each newly created cut in a
 | ||
| 	  <computeroutput>By Weight</computeroutput> cart starts out with
 | ||
| 	  dayparting
 | ||
| 	  disabled, meaning that it will be 'eligible to play' at all times.
 | ||
| 	  By clicking the <computeroutput>Enabled</computeroutput> radio
 | ||
| 	  button in the <computeroutput>Air Date/Time</computeroutput> box, an
 | ||
| 	  absolute start and end date for the cut can be entered, meaning
 | ||
| 	  that the cut will be prevented from airing in the on-air modules
 | ||
| 	  at any time outside the range of those date-times. Likewise, by
 | ||
| 	  selecting the <computeroutput>Enabled</computeroutput> radio button
 | ||
| 	  in the <computeroutput>Daypart</computeroutput> box, start and end
 | ||
| 	  times (relative to the day the cut is to air) can be entered.
 | ||
| 	  Cuts designated in this way will be allowed to air only within
 | ||
| 	  the specified range of times. Finally, by ticking or clearing
 | ||
| 	  the appropriate boxes in the 
 | ||
| 	  <computeroutput>Day of the Week</computeroutput> box, a cut can be
 | ||
| 	  constrained to air only on certain days of the week.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  All of the dayparting parameters can be used either singly or in
 | ||
| 	  combination with each other.  When combined, the resulting
 | ||
| 	  'eligibility' is calculated as the logical AND of the applied
 | ||
| 	  dayparting limits.  For example, a cut with the 'Monday' box
 | ||
| 	  cleared will refuse to air on Mondays, regardless of whether
 | ||
| 	  any of the other daypart rules match.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  It's important to remember that dayparting rules affect audio
 | ||
| 	  play out only within the on-air modules. You will still be
 | ||
| 	  able to audition and play the audio without limitation in the
 | ||
| 	  other Rivendell modules.
 | ||
| 	</para>
 | ||
|       </sect3>
 | ||
|       <sect3 xml:id="sect.rdlibrary.cart_and_cut_color_coding">
 | ||
| 	<title>Cart and Cut Color Coding</title>
 | ||
| 	<para>
 | ||
| 	  Each cart or cut in RDLibrary is assigned a color to indicate
 | ||
| 	  it's 'playability' for air, as follows:
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  <variablelist>
 | ||
| 	    <varlistentry>
 | ||
| 	      <term>NO COLOR</term>
 | ||
| 	      <listitem>
 | ||
| 		<para>
 | ||
| 		  Event will play normally
 | ||
| 		</para>
 | ||
| 	      </listitem>
 | ||
| 	    </varlistentry>
 | ||
| 	    <varlistentry>
 | ||
| 	      <term>CYAN</term>
 | ||
| 	      <listitem>
 | ||
| 		<para>
 | ||
| 		  Event will not play (cut datetime is in the future)
 | ||
| 		</para>
 | ||
| 	      </listitem>
 | ||
| 	    </varlistentry>
 | ||
| 	    <varlistentry>
 | ||
| 	      <term>RED</term>
 | ||
| 	      <listitem>
 | ||
| 		<para>
 | ||
| 		  Event will not play (outside of dayparting limits or audio
 | ||
| 		  is not available)
 | ||
| 		</para>
 | ||
| 	      </listitem>
 | ||
| 	    </varlistentry>
 | ||
| 	    <varlistentry>
 | ||
| 	      <term>GREEN</term>
 | ||
| 	      <listitem>
 | ||
| 		<para>
 | ||
| 		  Event will play an Evergreen
 | ||
| 		</para>
 | ||
| 	      </listitem>
 | ||
| 	    </varlistentry>
 | ||
| 	  </variablelist>
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  It's important to remember that the color displayed for each
 | ||
| 	  event indicates playability <emphasis>at the instant that the event
 | ||
| 	  is being viewed</emphasis>.
 | ||
| 	</para>
 | ||
|       </sect3>
 | ||
|       <sect3 xml:id="sect.rdlibrary.recording_and_auditioning_a_cut_in_the_record_dialog">
 | ||
| 	<title>Recording and Auditioning a Cut in the Record Dialog</title>
 | ||
| 	<para>
 | ||
| 	  The lower third of the Record Dialog is used both to audition and
 | ||
| 	  record audio.  To audition the cut, simply press the play button
 | ||
| 	  (the one with the triangular symbol). The button will
 | ||
| 	  illuminate, audio will show on the bar meter and start playing
 | ||
| 	  immediately. The audio will play to completion, unless either 
 | ||
| 	  the stop button (square symbol) is pressed, or the Record Dialog
 | ||
| 	  is closed.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  To record new material into a cut, first ensure that the
 | ||
| 	  <computeroutput>Channels</computeroutput>
 | ||
| 	  drop-down menu is set to record the appropriate number of channels,
 | ||
| 	  then touch the <computeroutput>Record</computeroutput> button
 | ||
| 	  (round symbol).  If the cut contains
 | ||
| 	  audio that was recorded previously, a warning box will pop up at
 | ||
| 	  this point to inform you of this and to give you a chance to abort
 | ||
| 	  the recording without erasing what was previously recorded.  If
 | ||
| 	  <computeroutput>Yes</computeroutput> is selected here, the
 | ||
| 	  previous recording will be overwritten
 | ||
| 	  and no longer accessible.
 | ||
| 	  The <computeroutput>Record</computeroutput> button will now be
 | ||
| 	  illuminated steadily, while the
 | ||
| 	  <computeroutput>Play</computeroutput> button will be flashing,
 | ||
| 	  indicating that the record machine is in 'ready' mode.  The bar
 | ||
| 	  meter will also be active to indicate input levels, and this is
 | ||
| 	  the point where you want to verify that your levels are correct,
 | ||
| 	  with peaks just into the yellow area being optimal.  Nothing is
 | ||
| 	  actually being recorded just yet.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  We have two options for actually starting the record machine.
 | ||
| 	  We can start it manually by pressing the
 | ||
| 	  <computeroutput>Play</computeroutput> button, at which
 | ||
| 	  point the machine will immediately begin recording, or we can set
 | ||
| 	  the <computeroutput>Record Mode</computeroutput> drop-down menu
 | ||
| 	  to the <computeroutput>VOX</computeroutput> (short for voice
 | ||
| 	  activated) setting. When in <computeroutput>VOX</computeroutput>
 | ||
| 	  mode, the record machine will
 | ||
| 	  start automatically as soon as it senses the presence of audio
 | ||
| 	  at the input.
 | ||
| 	</para>
 | ||
| 	<para>
 | ||
| 	  Once started, recording will continue until either the
 | ||
| 	  <computeroutput>Stop</computeroutput> button
 | ||
| 	  is pushed, or the maximum allowed length for a manual recording
 | ||
| 	  (set by the system administrator) has been reached. Once stopped,
 | ||
| 	  if the <computeroutput>AutoTrim</computeroutput> drop-down menu
 | ||
| 	  has been set to <computeroutput>On</computeroutput>, the Start and
 | ||
| 	  End markers will be automatically set to the beginning and end of
 | ||
| 	  detected audio within the cut. (We will discuss Markers in detail
 | ||
| 	  when we get to the section on the Edit Markers dialog).
 | ||
| 	</para>
 | ||
|       </sect3>
 | ||
|     </sect2>
 | ||
|   </sect1>
 | ||
|   <sect1 xml:id="sect.rdlibrary.alternative_methods_of_audio_ingestion">
 | ||
|     <title>Alternative Methods of Audio Ingestion</title>
 | ||
|     <para>
 | ||
|       In addition to manually recording material in realtime, RDLibrary
 | ||
|       supports two alternative methods for audio ingestion:
 | ||
|     </para>
 | ||
|     <para>
 | ||
|       <itemizedlist>
 | ||
| 	<listitem>
 | ||
| 	  Importing from a File
 | ||
| 	</listitem>
 | ||
| 	<listitem>
 | ||
| 	  Ripping from a CD
 | ||
| 	</listitem>
 | ||
|       </itemizedlist>
 | ||
|     </para>
 | ||
|     <sect2 xml:id="sect2_rdlibrary_importing_audio_from_a_file">
 | ||
|       <title>Importing Audio from a File</title>
 | ||
|       <para>
 | ||
| 	To import audio from a file directly into a cut, we start by
 | ||
| 	opening the cut's parent cart in the Edit Cart Dialog.  Next,
 | ||
| 	touch the cut's entry in the cut list and then touch the
 | ||
| 	<computeroutput>Import/Export</computeroutput> button to open the
 | ||
| 	Import/Export Audio Dialog.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.import_export_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Import/Export Audio Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Select the file you wish to import, either by entering the path
 | ||
| 	and filename to it in the <computeroutput>Filename</computeroutput>
 | ||
| 	field or by clicking the <computeroutput>Select</computeroutput>
 | ||
| 	button to open a file browsing dialog.  Rivendell is capable of
 | ||
| 	importing the following types of audio files:
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<itemizedlist>
 | ||
| 	  <listitem>
 | ||
| 	    Microsoft WAV (*.wav) – PCM16, PCM24 and MPEG are supported
 | ||
| 	  </listitem>
 | ||
| 	  <listitem>
 | ||
| 	    MPEG (*.mp1, *.mp2, *.mp3)
 | ||
| 	  </listitem>
 | ||
| 	  <listitem>
 | ||
| 	    OggVorbis (*.ogg)
 | ||
| 	  </listitem>
 | ||
| 	  <listitem>
 | ||
| 	    Free Lossless Audio Codec [FLAC] (*.flac)
 | ||
| 	  </listitem>
 | ||
| 	</itemizedlist>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Next, set the <computeroutput>Channels</computeroutput> drop-down
 | ||
| 	menu to the appropriate number of
 | ||
| 	channels. You may also wish to adjust the
 | ||
| 	<computeroutput>Normalize</computeroutput> or
 | ||
| 	<computeroutput>Autotrim</computeroutput>
 | ||
| 	controls, although these will normally be set to reasonable default
 | ||
| 	values by the system administrator and should seldom have to be
 | ||
| 	altered.  If <computeroutput>Normalize</computeroutput> is selected,
 | ||
| 	then the imported audio will
 | ||
| 	be peak normalized to the level indicated. The
 | ||
| 	<computeroutput>Autotrim</computeroutput> does the
 | ||
| 	same thing as in the Record Dialog (see section 2.0.1.2, 'Recording
 | ||
| 	and Auditioning a Cut in the Record Dialog' above for details).
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Finally, touch the <computeroutput>Import</computeroutput> button.
 | ||
| 	A progress bar will indicate
 | ||
| 	percentage completion of the import, followed by a popup box to
 | ||
| 	announce completion.  The Import Audio Dialog will automatically
 | ||
| 	close after acknowledging completion.  The audio is now imported,
 | ||
| 	and can now be auditioned and otherwise processed in the usual way.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.importing_audio_from_a_cd_track">
 | ||
|       <title>Ripping Audio from a CD Track</title>
 | ||
|       <para>
 | ||
| 	To rip audio directly off of a CD into a cut, we again start by
 | ||
| 	opening the cut's parent cart in the Edit Cart Dialog.  Next,
 | ||
| 	select the cut's by touching the cut's entry in the cut list,
 | ||
| 	and then touch the <computeroutput>Rip</computeroutput> button
 | ||
| 	to open the Rip CD Dialog.
 | ||
|       </para>
 | ||
|      <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.cd_ripper_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Rip CD Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Load a CD into the CD drive.  After a few seconds, list of tracks
 | ||
| 	should appear in the Tracks area.  If the system administrator has
 | ||
| 	enabled the FreeDB CD Lookup Service, the names of the various
 | ||
| 	tracks may appear as well.  
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Set the <computeroutput>Channels</computeroutput>,
 | ||
| 	<computeroutput>Normalize</computeroutput> and 
 | ||
| 	<computeroutput>Autotrim</computeroutput> controls appropriately (see
 | ||
| 	section 2.1.0 for more details on using the
 | ||
| 	<computeroutput>Normalize</computeroutput> and
 | ||
| 	<computeroutput>Autotrim</computeroutput>
 | ||
| 	controls).  Next, touch the track you wish to rip and then press
 | ||
| 	the <computeroutput>Rip Track</computeroutput> button. The track will
 | ||
| 	now be ripped into the cut,
 | ||
| 	with a progress bar keeping you informed of progress.  When the
 | ||
| 	rip is complete, a message box will pop up to inform you of this.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	If FreeDB data was found for the CD, you can have the FreeDB track,
 | ||
| 	artist and album names be automatically placed on the cart label
 | ||
| 	for the cart by checking
 | ||
| 	<computeroutput>Apply FreeDB Values to Cart</computeroutput> before
 | ||
| 	closing the Dialog.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.ripping_multiple_cd_tracks_at_a_time">
 | ||
|       <title>Ripping Multiple CD Tracks at a Time</title>
 | ||
|       <para>
 | ||
| 	Sometimes, when transferring multiple audio tracks from CD,
 | ||
| 	it's more convenient to be able to set up the entire transfer at
 | ||
| 	once and then let the rip run in a 'batch' mode. RDLibrary is
 | ||
| 	capable of ripping audio in this manner as well. To do this, click
 | ||
| 	the <computeroutput>Rip CD</computeroutput> button near the bottom of
 | ||
| 	the main RDLibrary screen, bringing up the Rip Disk Dialog.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.rip_disk_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Rip Disk Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	This dialog is similar in many ways to the Rip CD Dialog described
 | ||
| 	above, except that each track can be assigned to transfer to a
 | ||
| 	different cut by double clicking on its listing, or by touching
 | ||
| 	the listing and then the Set Cut button, bringing up the Select
 | ||
| 	Cart/Cut Dialog.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.set_cart_cut_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Set Cart/Cut Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	The destination cut is selected by first choosing the cart from the
 | ||
| 	left-hand pane, followed by the desired cut within that cart on the
 | ||
| 	right-hand pane.  The complete set of library filtering tools are
 | ||
| 	available to you here – see section 2.2, 'Navigating the Audio
 | ||
| 	Library' for details on their function, just as in the main
 | ||
| 	RDLibrary screen.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Once all of the desired tracks have been assigned to cuts, be sure
 | ||
| 	that the <computeroutput>Normalize</computeroutput>, 
 | ||
| 	<computeroutput>Autotrim</computeroutput>, 
 | ||
| 	<computeroutput>Channels</computeroutput> and
 | ||
| 	<computeroutput>Apply FreeDB Values to Cart</computeroutput>
 | ||
| 	controls have been set as desired, then click the
 | ||
| 	<computeroutput>Rip Disk</computeroutput>
 | ||
| 	button.  A set of progress bars will keep you informed of the
 | ||
| 	progress of each track, as well as overall progress.  When, the
 | ||
| 	rip is finished, a message box will let you know.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|   </sect1>
 | ||
|   <sect1 xml:id="sect.rdlibrary.macro_carts">
 | ||
|     <title>Macro Carts</title>
 | ||
|     <para>
 | ||
|       A macro cart is a cart that contains one or more commands written in
 | ||
|       Rivendell Macro Language (or 'RML' for short). The Edit Cart dialog
 | ||
|       for a macro cart is similar in many ways to that for an audio cart
 | ||
|       with the exception of the lower half, which contains a list of RML
 | ||
|       commands to be executed rather than a list of cuts. (NOTE: for a
 | ||
|       complete description of Rivendell Macro Language,
 | ||
|       including a breakdown of available commands, see 
 | ||
|       <xref linkend="chapter.rml"/>).
 | ||
|     </para>
 | ||
|     <para>
 | ||
|       To add a new line of RML, select the desired location in the list
 | ||
|       and touch the <computeroutput>Add button</computeroutput>.
 | ||
|       Similarly, a line can be deleted by
 | ||
|       selecting it and then touching the
 | ||
|       <computeroutput>Delete</computeroutput> button, or modified by
 | ||
|       touching the <computeroutput>Edit</computeroutput> button. The RML
 | ||
|       can be tested, eight line-by-line
 | ||
|       or as a whole by touching the <computeroutput>Run Line</computeroutput>
 | ||
|       or <computeroutput>Run Cart</computeroutput> button
 | ||
|       respectively. It is also possible to
 | ||
|       <computeroutput>Copy</computeroutput> and
 | ||
|       <computeroutput>Paste</computeroutput> individual
 | ||
|       lines both within a given cart or between carts.
 | ||
|     </para>
 | ||
|     <para>
 | ||
|       In addition to RML code, lines can also contain host variables
 | ||
|       (see <xref linkend="sect.rdadmin.manage_hosts.configuring_host_variables" />)
 | ||
|       and filepath wildcards
 | ||
|       (see <xref linkend="appendix.filepath_wildcards" />).
 | ||
|     </para>
 | ||
|     <para>
 | ||
|       <mediaobject>
 | ||
| 	<imageobject>
 | ||
| 	  <imagedata align="center" fileref="rdlibrary.edit_macro_cart_dialog.png" scale="50"/>
 | ||
| 	</imageobject>
 | ||
| 	<caption>
 | ||
| 	  <para>The Edit Macro Cart Dialog</para>
 | ||
| 	</caption>
 | ||
|       </mediaobject>
 | ||
|     </para>
 | ||
|   </sect1>
 | ||
|   <sect1 xml:id="sect.rdlibrary.navigating_the_audio_library">
 | ||
|     <title>Navigating the Audio Library</title>
 | ||
|     <para>
 | ||
|       The uppermost section of RDLibrary's main window contains tools
 | ||
|       designed to allow for fast searching of the entire audio library,
 | ||
|       making locating a particular piece of audio easy even in a library
 | ||
|       containing thousands of carts.  It's possible to  control what carts
 | ||
|       are listed, as well as how they are sorted.
 | ||
|     </para>
 | ||
|     <sect2 xml:id="sect.rdlibrary.changing_the_cart_sort_order">
 | ||
|       <title>Changing the Cart Sort Order</title>
 | ||
|       <para>
 | ||
| 	The order in which carts are displayed in the cart list can be
 | ||
| 	changed by simply clicking on the header of the column by which
 | ||
| 	you want them sorted by.  By default, the carts are sorted by Cart
 | ||
| 	Number.  To instead sort them alphabetically by Title, simply click
 | ||
| 	the <computeroutput>TITLE</computeroutput> header once.
 | ||
| 	To sort them by Title in reverse –i.e.
 | ||
| 	from 'Z' to 'A' – click the <computeroutput>TITLE</computeroutput>
 | ||
| 	header once again.  Clicking the
 | ||
| 	<computeroutput>TITLE</computeroutput> header a third time restores
 | ||
| 	the sort to normal 'A' to 'Z' again. And so on for all of the columns
 | ||
| 	in the cart list – it's
 | ||
| 	possible to sort the Library by
 | ||
| 	<computeroutput>ARTIST</computeroutput>,
 | ||
| 	<computeroutput>LENGTH</computeroutput>, or any other
 | ||
| 	parameter shown in the cart list.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.selecting_carts_by_the_filter_field">
 | ||
|       <title>Selecting Carts by the Filter Field</title>
 | ||
|       <para>
 | ||
| 	Very often, one will want to find a cart or set of carts whose
 | ||
| 	label(s) contains a particular word or phrase.  It's possible to
 | ||
| 	narrow the list of displayed carts to this set by simply entering
 | ||
| 	the desired word or phrase into the
 | ||
| 	<computeroutput>Filter</computeroutput> field at the top of the
 | ||
| 	main RDLibrary screen. The full list can be restored by clearing
 | ||
| 	the <computeroutput>Filter</computeroutput> field or by clicking
 | ||
| 	the Clear button.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.selecting_carts_by_group">
 | ||
|       <title>Selecting Carts by Group</title>
 | ||
|       <para>
 | ||
| 	It's possible to limit the list of carts to only those in a
 | ||
| 	particular group by setting the <computeroutput>Group</computeroutput>
 | ||
| 	drop-down menu to the
 | ||
| 	desired group name.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.selecting_carts_by_type">
 | ||
|       <title>Selecting Carts by Type</title>
 | ||
|       <para>
 | ||
| 	You can tell RDLibrary what type of carts to list by checking the
 | ||
| 	<computeroutput>Show Audio Carts</computeroutput> and 
 | ||
| 	<computeroutput>Show Macro Carts</computeroutput> boxes. Clearing
 | ||
| 	both boxes
 | ||
| 	obviously results in no carts at all being displayed.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	It's also possible to combine all four of the above search and
 | ||
| 	sorting methods.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.selecting_and_opening_carts">
 | ||
|       <title>Selecting and Opening Carts</title>
 | ||
|       <para>
 | ||
| 	Once the desired cart has been located on the cart list, load it
 | ||
| 	into the Edit Cart Dialog by either double
 | ||
| 	clicking its list entry, or by touching its list entry and then
 | ||
| 	touching the <computeroutput>Edit</computeroutput> button.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.viewing_and_selecting_cuts">
 | ||
|       <title>Viewing and Selecting Cuts</title>
 | ||
|       <para>
 | ||
| 	If a cart contains more than one cut, you can view all the cuts
 | ||
| 	contained by the cart by clicking the
 | ||
| 	<computeroutput>+</computeroutput> icon. The cuts can be
 | ||
| 	hidden by clicking the <computeroutput>-</computeroutput>
 | ||
| 	icon.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.playing_carts_and_cuts">
 | ||
|       <title>Playing Carts and Cuts</title>
 | ||
|       <para>
 | ||
| 	A selected cart or cut can be played by either pressing the
 | ||
| 	play button (the one with the triangular symbol) or by
 | ||
| 	pressing the space bar. If a cart or cut is currently
 | ||
| 	playing, selecting another cart or cut with the mouse
 | ||
| 	or arrow keys will automatically play the newly selected
 | ||
| 	item. To stop a playing cart or cut, press the stop button
 | ||
| 	(square symbol) or press the space bar again.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.runnings_macros">
 | ||
|       <title>Running Macros</title>
 | ||
|       <para>
 | ||
| 	A selected macro can be run by pressing the
 | ||
| 	<computeroutput>Run Macro</computeroutput> button.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|   </sect1>
 | ||
|   <sect1 xml:id="sect.rdlibrary.library_maintenance">
 | ||
|     <title>Library Maintenance</title>
 | ||
|     <sect2 xml:id="rdlibrary.editing_markers">
 | ||
|       <title>Editing Markers</title>
 | ||
|       <para>
 | ||
| 	Rivendell uses a system of cue points within audio cuts, referred
 | ||
| 	to as <emphasis>markers</emphasis>. Markers can be used to specify
 | ||
| 	a number of
 | ||
| 	parameters for a piece of audio.
 | ||
| 	Consult <xref linkend="table.rdlibrary.marker_types"/> to see what
 | ||
| 	markers are available, their purpose and their corresponding color.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Markers are set in the Edit Markers Dialog.
 | ||
| 	To access the Dialog, open an audio cart, select the cut to open
 | ||
| 	on the cut list and then touch the
 | ||
| 	<computeroutput>Edit</computeroutput> button.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	The Dialog is divided into three areas:  the waveform area in the
 | ||
| 	upper half, consisting of the waveform display and
 | ||
| 	<computeroutput>Amplitude</computeroutput> and
 | ||
| 	<computeroutput>Time</computeroutput> buttons; the transport
 | ||
| 	controls area in the center, consisting
 | ||
| 	of <computeroutput>Start</computeroutput>,
 | ||
| 	<computeroutput>Pause</computeroutput>, 
 | ||
| 	<computeroutput>Stop</computeroutput> and
 | ||
| 	<computeroutput>Loop</computeroutput> buttons along with an
 | ||
| 	audio meter;
 | ||
| 	and the marker button area in the lower third of the window,
 | ||
| 	consisting of controls for selecting and positioning markers.  
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	<mediaobject>
 | ||
| 	  <imageobject>
 | ||
| 	    <imagedata align="center" fileref="rdlibrary.edit_marker_dialog.png" scale="50"/>
 | ||
| 	  </imageobject>
 | ||
| 	  <caption>
 | ||
| 	    <para>The Edit Marker Dialog</para>
 | ||
| 	  </caption>
 | ||
| 	</mediaobject>
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	It's possible to 'zoom-in' on the waveform in various ways by
 | ||
| 	clicking the <computeroutput>Amplitude</computeroutput>
 | ||
| 	and <computeroutput>Time</computeroutput> buttons.
 | ||
| 	By default, the waveform
 | ||
| 	is displayed fully 'zoomed-out', thus showing the entire length of
 | ||
| 	the audio cut.  The <computeroutput>GoTo</computeroutput> buttons
 | ||
| 	can be used to jump directly to
 | ||
| 	the current play out cursor position, start or end of the waveform.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	Audio can be played one of two ways:  either by clicking on the
 | ||
| 	waveform to indicate where play out should start and then clicking
 | ||
| 	the left-hand <computeroutput>Play</computeroutput> button,
 | ||
| 	causing play out to start from the
 | ||
| 	selected position, or by clicking the right-hand 
 | ||
| 	<computeroutput>Play</computeroutput> button, which
 | ||
| 	will cause play out to start from the Start Marker (just as it
 | ||
| 	would in RDAirPlay).  Clicking the
 | ||
| 	<computeroutput>Pause</computeroutput> button while playing will
 | ||
| 	cause audio to stop and the play out cursor (a thin vertical black
 | ||
| 	line in the waveform area) to freeze at its current position, while
 | ||
| 	pressing the <computeroutput>Stop</computeroutput> button will stop
 | ||
| 	the audio while resetting the
 | ||
| 	play out cursor to the position it was in when
 | ||
| 	<computeroutput>Play</computeroutput> was started.
 | ||
| 	Clicking the <computeroutput>Loop</computeroutput> button will
 | ||
| 	cause the audio to play out
 | ||
| 	continuously, looping from end back to start, until either the
 | ||
| 	<computeroutput>Stop</computeroutput>, 
 | ||
| 	<computeroutput>Pause</computeroutput>, 
 | ||
| 	<computeroutput>Save</computeroutput> or
 | ||
| 	<computeroutput>Cancel</computeroutput> buttons are clicked.
 | ||
|       </para>
 | ||
|       <para>
 | ||
| 	To set a marker, click on the corresponding marker button and then
 | ||
| 	left-click on the waveform area to indicate where on the audio
 | ||
| 	the marker should be placed.  (NOTE:  With the exception of the
 | ||
| 	FadeUp and FadeDown markers, all markers in Rivendell are assigned
 | ||
| 	in pairs. For example, placing a TalkStart marker will also cause
 | ||
| 	a TalkEnd marker to be placed.)  Markers that have already been
 | ||
| 	placed can be moved by selecting the appropriate marker button and
 | ||
| 	then dragging the marker to the desired location.  It's also possible
 | ||
| 	to specify the position of a marker in the form of hh:mm:ss.s
 | ||
| 	(relative to time after the Start marker) by entering the desired
 | ||
| 	value next to a selected marker button.  It is also possible to
 | ||
| 	remove a set of markers that have already been placed, either by
 | ||
| 	accessing the marker menu by doing a right-click on the waveform
 | ||
| 	display, or by touching the
 | ||
| 	<computeroutput>Remove Marker</computeroutput> button and then touch
 | ||
| 	the marker button corresponding to the marker to be removed.
 | ||
| 	(NOTE: the exceptions to this are the Start / End markers, which
 | ||
| 	are always present and hence cannot be removed.)
 | ||
|       </para>
 | ||
|       <table xml:id="table.rdlibrary.marker_types" frame="all">
 | ||
| 	<title>Rivendell Marker Types</title>
 | ||
| 	<tgroup cols="3" align="left" colsep="1" rowsep="1">
 | ||
| 	  <colspec colname="Marker Type" />
 | ||
| 	  <colspec colname="Function" />
 | ||
| 	  <colspec colname="Color" />
 | ||
| 	  <thead>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		Marker Type
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Function
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Color
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	  </thead>
 | ||
| 	  <tbody>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		Start / Stop
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates start and end points of audio.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		RED
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		TalkStart / Talk Stop
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates point to start and stop the Talk Counter in RDAirPlay.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		BLUE
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		SegueStart / SegueEnd
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates the start and end of the audio overlap during
 | ||
| 		Segue transitions in RDAirPlay.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		CYAN
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		HookStart / HookEnd
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates "highlighted" audio, used by button
 | ||
| 		panels and RDCartSlots when placed in Hook Mode.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		VIOLET
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		FadeUp
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates the point at which audio should be faded up to
 | ||
| 		full level after starting in RDAirPlay.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		YELLOW
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	    <row>
 | ||
| 	      <entry>
 | ||
| 		FadeDown
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		Indicates the point at which audio should start fading
 | ||
| 		down to off before ending in RDAirPlay.
 | ||
| 	      </entry>
 | ||
| 	      <entry>
 | ||
| 		YELLOW
 | ||
| 	      </entry>
 | ||
| 	    </row>
 | ||
| 	  </tbody>
 | ||
| 	</tgroup>
 | ||
|       </table>
 | ||
|       <para>
 | ||
| 	As an aid for accurately setting the Start and End markers, it's
 | ||
| 	possible to use the <computeroutput>Trim Start</computeroutput>
 | ||
| 	and <computeroutput>Trim End</computeroutput> buttons to automatically
 | ||
| 	set the markers to the first and last instances of the level
 | ||
| 	specified by the <computeroutput>Threshold</computeroutput> field,
 | ||
| 	respectively.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.copying_and_pasting_audio_from_cut_to_cut">
 | ||
|       <title>Copying and Pasting Audio from Cut to Cut</title>
 | ||
|       <para>
 | ||
| 	It's possible to make copies of existing an audio cut on the system
 | ||
| 	by opening up the cut's parent cart in the Edit Cart Dialog,
 | ||
| 	selecting it on the cut list and clicking the
 | ||
| 	<computeroutput>Copy</computeroutput> button. To
 | ||
| 	paste the copied audio, simply select the desired destination
 | ||
| 	cut (within the same cart or a different one) and press
 | ||
| 	<computeroutput>Paste</computeroutput>.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|   </sect1>
 | ||
|   <sect1 xml:id="sect.rdlibrary.generating_library_reports">
 | ||
|     <title>Generating Library Reports</title>
 | ||
|     <para>
 | ||
|       Various Library reports can be generated by touching the
 | ||
|       <computeroutput>Reports</computeroutput>
 | ||
|       button on the main RDLibrary screen and then selecting the desired
 | ||
|       report and touching the <computeroutput>Generate</computeroutput>
 | ||
|       button. The following reports are available:
 | ||
|     </para>
 | ||
|     <sect2 xml:id="sect.rdlibrary.the_cart_report">
 | ||
|       <title>The Cart Report</title>
 | ||
|       <para>
 | ||
| 	The cart report consists of a list of all selected carts on the
 | ||
| 	system, with their attributes.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.the_cut_report">
 | ||
|       <title>The Cut Report</title>
 | ||
|       <para>
 | ||
| 	The cut report consists of a list of all cuts contained by the
 | ||
| 	selected carts on the system, with their attributes.
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.the_cart_data_dump__fixed_width_">
 | ||
|       <title>The Cart Data Dump (fixed width)</title>
 | ||
|       <para>
 | ||
| 	The fixed-width cart data dump is a special type of report that
 | ||
| 	consists of column-aligned data elements, one line per cut for the
 | ||
| 	selected
 | ||
| 	carts on the system.  It is intended for use where a 'dump' of
 | ||
| 	available carts in the system is desired for import into an
 | ||
| 	external system (such as a music scheduling system).
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|     <sect2 xml:id="sect.rdlibrary.the_cart_data_dump__csv_">
 | ||
|       <title>The Cart Data Dump (CSV)</title>
 | ||
|       <para>
 | ||
| 	The CSV cart data dump is a special type of report that
 | ||
| 	consists of CSV formatted data elements, one line per cut for the
 | ||
| 	selected
 | ||
| 	carts on the system.  It is intended for use where a 'dump' of
 | ||
| 	available carts in the system is desired for import into an
 | ||
| 	external system (such as a music scheduling system).
 | ||
|       </para>
 | ||
|     </sect2>
 | ||
|   </sect1>
 | ||
| </chapter>
 |